This
is a beautiful gold plated example of the most playable of all the C_Melodies.
Brightly polished gold plated keys, inner bell and engraving surface contrast
against the satin textured main body for a truly striking appearance. Floral
engraving expands over the entire bell front to punctuate the opulence
of this fine old roaring twenties show girl. These straight neck Conn C
saxes have a booming bottom end and a floating, lyric upper register. Listeners
probably won't know if you're playing alto or tenor. They just won't believe
their ears! The intonation is good and when set up correctly (this one
is) they play as well as the Conn altos & tenors of this same era.
Those familiar with 1920's Conn saxes know that's pretty high praise.
Why
a C_Melody? For one thing, they're useful -- and for the same reasons these
wonderful saxophones were so prolific in the 1920's. You can read over
the piano or guitar player's shoulder -- no need to transpose in your head.
These saxes are especially popular in our churches -- they sing out praise
in the hands of loving players who read directly from their hymnals. If
you're sitting in on open mic, I guarantee the key of A is a lot more friendly
with a C_Melody than if you dragged in your alto or tenor ...
Now for
the real stuff: These horns have increased in value over the last few years
by more than Mark VI's, Super 20's, SML's, you name it. Yup, they built
a ton of 'em in the 1920's, but how many since then? Well, in this case,
ZERO is a good answer. Nada. ZIP. None. Now this isn't an economics lesson,
but how many churches are there? How many fledgling sax collectors? How
many C_Melodies are still in one piece? How many of those are straight
neck Conns? And how many of those Conns are in super rare gold plate? (Hint:
90% of C_Melodies are silver plated). Is a demand/supply squeeze coming
into view? Raise your hand if you've kicked yourself for passing on that
Mark VI priced under $1,000 a few years back ...
The
108,xxx serial # of this instrument traces to 1923. Often called 'pre_Chu',
these saxes have the same sturdy keywork (w/set screws on the pivots) as
their more famous relatives. Actually, the only differences are the shapes
of the palm keys and the lack of textured G# on the 'pre Chu'. Rolled tone
holes, micro tuning neck, split bell keys, fork Eb, G# trill, are all the
same. The straight neck allows for a more comfortable playing position,
straight out front or slightly to the right as with alto or tenor. You
can't do that comfortably with a serpentine neck C_Melody ...
This sax has been played some, so there is plating
wear -- say 90% remains. Played some is good -- means somebody liked it.
Lemons are more common among closet horns. The pads are good, say 65%+
remaining life -- which can be a very long time with the rolled tone holes.
The instrument looks good as is, but if you want to touch up the polishing
on your gold plating you will see what a truly spectacular vintage show
piece this old gal can be. Comes with good vintage case and a modern tenor
mouthpiece that we have matched to properly play with this instrument.
If you're bent on self abasement we'll send along a vintage Conn C_Melody
mouthpiece for free ...
This rare instrument
is offered at US$985. Until it's sold please
enjoy these pics with us.