| The first Conn               saxophones were designed by Ferdinand "Gus" (August) Buescher,               a foreman at the Conn-Dupont plant from 1875-1895 (after which, he               left and founded the Buescher Manufacturing               company), for E. A. Lefebre. The               instrument that Buescher built for Lefebre was essentially a copy               of an Adolphe Sax horn.(1, 2)  These horns               were produced from 1888 (3)               until 1898 or so (4),               and there probably were only available in bare brass, gold plate and               gold plate engraved with silver highlights (see below). These horns               have double-octave               keys, straight tone holes, no pearl keys and all examples probably               featured a keyed range of low Bb to altissimo F. Please note the Mercedes-Benz-logo-style               low C keyguard: this feature is on all Conn horns -- including stencils               (and excepting the Connstellation 28M model and Col. Conn Wonder curved               sopranos), until the introduction of sheet-metal keyguards. I have found no evidence to suggest that there is an official (i.e.               from Conn) model name for these horns, nor any idea of how many numbers               were available -- this is because most serial number charts begin               with 1895 (5),               most websites do not list patents before 1920 and most of Conn's trademarks               expired a long, long time ago (trademarks used to expire after 25               years) (6). Let's look               at the eBay ad for one of these horns: 
                    CONN                 WORCESTER ALTO SAXOPHONE. Ca. 1890. Brass. 2 necks as shown.                 Early lyre. Original case missing handle. Several pads are loose                 and are included. All keys appear to be present, and appear to be                 in good condition. Body in fairly good shape with two small, superficial                 dents (as shown) and several very small dings. No holes, cracks                 or corrosion.  No serial number found. [Colonel Charles G.] Conn started                 producing musical instruments with Dupont in 1876. He became sole                 proprietor in 1879. In 1887, Conn bought the musical instrument                 factory started by Isaac Fiske in Worcester, Mass. and continued                 to produce instruments, such as this one, at that factory until                 1898 and inscribed them: "Elkhart, Ind. and Worcester, Mass." On 03/27/02, the folks at the defunct Welch               Sax website submitted a new               eBay ad: 
                    This is undoubtably the 16th saxophone                 made in this country. Conn bought the Fisk factory in Worchester,                 Massachusetts, in 1887 and a year later made the first saxophone                 in America. This is one is numbered 16. It is one of the most beautiful                 saxophones that I have ever laid eyes on. It is gold plated with                 about 95% of the plating intact, and the 25 leaves on the bell are                 all silver plated. The engraving is superb. The bow is engraved                 along with the bow guard. There is not a single dent in the bow.                 The greatest flaw is that it was made with a double octave key system.                 Sometime in its history it was changed over to an automatic system.                 This was done very, very, well, maybe even in the Conn factory.                 It plays to high F and low Bb. The bis key button may be a later                 addition. Very little of the gold plate is worn off. There is one                 little dent on the bell just above the joint between the bow and                 bell. It reads on the bell: "Made by C. G. Conn Elkhart Indiana                 and Worchester, Mass." One must look very hard to find the                 number 16 just above where the bell is attached to the bow among                 the flowers. There are pearls on all the front keys, the G#, and                 the low C & Eb. It is ready to play with new pads but you cannot                 take it on a gig unless it is a HP band as the instrument is high                 pitched. One is amazed at how modern this early saxophone is. It                 has features that Conn did not use again for fifty years. This horn is definitely one of the               nicest preserved horns that I have seen from this era.  Note that there are some differences               between this and the brass example mentioned above: different keyguards,               pearl keys, and slightly different keywork. This may be because this               horn is (mainly) gold plated, and Conn (as well as other manufacturers)               tended to put a bit more craftsmanship in their               gold horns (compare the Evette               & Schaeffer and A. Sax horns               of approximately the same era, as well as the later Conn               Artist horns). However, to make my life easier, I've divided these horns into a "Series 1" and "Series 2".  |